Dream it, girl!

I am bursting at the seams with joy and delight tonight!

Remember just the other week, how I kept running into 渡辺 謙 (Ken Watanabe) things all over the place?

Remember how one of them was that quick-change from the Tony Awards, and how it made me really wish I could see that performance of his, in “The King and I”, even though it ended, like, over a year ago?

Believe it or not, due to a reason I know not, that production is, for two nights only, being shown in select movie theaters here in the USA.

Obviously, I (re)arranged everything, and I attended tonight’s showing of the performance.

It was spectacular, and almost even better than an actual live theater performance, because everyone and everything was so much bigger and easier to see, up there on the big screen. 😛

And, let’s be real here, I hadn’t seen the show since I was itty bitty, so I totally balled my eyes out at the end…

Also, the curtain call always makes a show feel complete – this one was no excuse – and I think that’s what’s missing from regular films, is a curtain call… a tiny nudge back to real life after the show, and a chance to show one’s extreme appreciation for the performance just given.

Plus, clapping and cheering and hollering, with a glint of tears in the eyes, is a totally fun way to end the event.

Anyway, thanks, whoever you are, who decided to show this performance for me tonight – miniature dream just came true! Woohoo!

Post-a-day 2018

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What(-anabe)?!

And, yet again, 渡辺 謙 Ken Watanabe has shown up in my life.

I was visiting a friend in her classroom today at lunchtime, and some kids needed instruction and practice on how to do quick-changes for a theatre contest this weekend.  (We won’t discuss how they’re only just learning this skill, despite their not being new to theatre and despite their being enrolled in that particular contest [of many contests] over the weekend.)  I happen to have a rather strong background in the workings of theatre, and so I took over helping them, while my friend worked with other kids on tying knots (No idea, but maybe it connects with lighting in theatre?)

Anyway, as we were about to do a practice run-through of the quick-change I’d set up, using clothing items I’d found around the classroom, one of the kids with me asked, – and somewhat snarkily (though not rudely) I might add – ‘Are there even any shows that actually need this?’ I responded with an immediate affirmative, to which he queried, ‘Like what??’
Again, immediately, and out of seemingly nowhere in my brain stores, I said, “‘The King and I’… Yes.., Yes! ‘The King and I’!”
Somewhat chastened, though still quite happy, he said an, ‘O-kay…’
I had surprised even myself with my immediate response, and wasn’t entirely sure of how I’d found the video of that memory so quickly.  “There’s actually this really great video,” I said, “of a somewhat famous quick-change from it.  I’ll pull it up in just a minute, so you can watch it.  It’s actually really cool.”

And so, I pulled up the video and played it, admiring the quick-change and the whole concept of Broadway and fabulous singing voices and all that jazz, and explaining to the students what was happening and why.  Then, we resumed our practicing.  The video, however, continued on to another video, as YouTube’s auto-play feature does.  It was the same quick-change again, causing us to look briefly at it once more, but with the scenes before and after it included.  I happened to glance up after the quick change finished, and what did I see?

You guessed it: The leading lady dancing in the arms of 渡辺 謙 Ken Watanabe.

And I was blown away doubly.  Because, despite the fact that I was remembering this quick-change video from “The King and I” at (I think) the Tony Awards, I had not made the connection from having read 渡辺 謙 Ken Watanabe’s Internet info pages the other night that his being the lead in “The King and I” several years ago was the same production.  I’d even told my mom just this weekend about his having been in it, and we talked about it briefly.

But the two pieces of information were stored in such separate cabinets and files that they hadn’t linked up yet in my head.  Until, of course, I saw the video with him in it, and it all clicked.  And then I was actually jumping up and down, declaring that it was ‘渡辺 謙 Ken Watanabe, it’s 渡辺 謙 Ken Watanabe!’

Boy, I’d really like to interview him.

I wonder how he’ll pop up next into my life.  I can hardly wait to find out. 😀

Post-a-day 2018