Dream it, girl!

I am bursting at the seams with joy and delight tonight!

Remember just the other week, how I kept running into 渡辺 謙 (Ken Watanabe) things all over the place?

Remember how one of them was that quick-change from the Tony Awards, and how it made me really wish I could see that performance of his, in “The King and I”, even though it ended, like, over a year ago?

Believe it or not, due to a reason I know not, that production is, for two nights only, being shown in select movie theaters here in the USA.

Obviously, I (re)arranged everything, and I attended tonight’s showing of the performance.

It was spectacular, and almost even better than an actual live theater performance, because everyone and everything was so much bigger and easier to see, up there on the big screen. 😛

And, let’s be real here, I hadn’t seen the show since I was itty bitty, so I totally balled my eyes out at the end…

Also, the curtain call always makes a show feel complete – this one was no excuse – and I think that’s what’s missing from regular films, is a curtain call… a tiny nudge back to real life after the show, and a chance to show one’s extreme appreciation for the performance just given.

Plus, clapping and cheering and hollering, with a glint of tears in the eyes, is a totally fun way to end the event.

Anyway, thanks, whoever you are, who decided to show this performance for me tonight – miniature dream just came true! Woohoo!

Post-a-day 2018

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What(-anabe)?!

And, yet again, 渡辺 謙 Ken Watanabe has shown up in my life.

I was visiting a friend in her classroom today at lunchtime, and some kids needed instruction and practice on how to do quick-changes for a theatre contest this weekend.  (We won’t discuss how they’re only just learning this skill, despite their not being new to theatre and despite their being enrolled in that particular contest [of many contests] over the weekend.)  I happen to have a rather strong background in the workings of theatre, and so I took over helping them, while my friend worked with other kids on tying knots (No idea, but maybe it connects with lighting in theatre?)

Anyway, as we were about to do a practice run-through of the quick-change I’d set up, using clothing items I’d found around the classroom, one of the kids with me asked, – and somewhat snarkily (though not rudely) I might add – ‘Are there even any shows that actually need this?’ I responded with an immediate affirmative, to which he queried, ‘Like what??’
Again, immediately, and out of seemingly nowhere in my brain stores, I said, “‘The King and I’… Yes.., Yes! ‘The King and I’!”
Somewhat chastened, though still quite happy, he said an, ‘O-kay…’
I had surprised even myself with my immediate response, and wasn’t entirely sure of how I’d found the video of that memory so quickly.  “There’s actually this really great video,” I said, “of a somewhat famous quick-change from it.  I’ll pull it up in just a minute, so you can watch it.  It’s actually really cool.”

And so, I pulled up the video and played it, admiring the quick-change and the whole concept of Broadway and fabulous singing voices and all that jazz, and explaining to the students what was happening and why.  Then, we resumed our practicing.  The video, however, continued on to another video, as YouTube’s auto-play feature does.  It was the same quick-change again, causing us to look briefly at it once more, but with the scenes before and after it included.  I happened to glance up after the quick change finished, and what did I see?

You guessed it: The leading lady dancing in the arms of 渡辺 謙 Ken Watanabe.

And I was blown away doubly.  Because, despite the fact that I was remembering this quick-change video from “The King and I” at (I think) the Tony Awards, I had not made the connection from having read 渡辺 謙 Ken Watanabe’s Internet info pages the other night that his being the lead in “The King and I” several years ago was the same production.  I’d even told my mom just this weekend about his having been in it, and we talked about it briefly.

But the two pieces of information were stored in such separate cabinets and files that they hadn’t linked up yet in my head.  Until, of course, I saw the video with him in it, and it all clicked.  And then I was actually jumping up and down, declaring that it was ‘渡辺 謙 Ken Watanabe, it’s 渡辺 謙 Ken Watanabe!’

Boy, I’d really like to interview him.

I wonder how he’ll pop up next into my life.  I can hardly wait to find out. 😀

Post-a-day 2018

Life

The Universe gives us exactly what we need, exactly when we need it.

Period.

Today, I needed a reminder of the magic that abounds, and I was granted that reminder thoroughly and beautifully.

I was even declared an interpreter by someone who didn’t even know that languages are a prominent part of my life, nor that I know more than one language.

And, on my way home this evening, just to let myself free in having fun, I sang a free-flowing song in a language I don’t entirely understand (yet, anyway)…. and it, too, was magical.

Yes, today has been magical, magic-filled from the Universe.

Thank you

Post-a-day 2018

Today’s list

Oktoberfest…

semi-unplanned friend visit…

Mid-Autumn Festival…

car accident…

Earthdance….

… with origami and Braille, both taught by a blind man with a blind man’s wristwatch…

stopping for toilet paper…

and a house gathering…

all with a rain storm pouring over us off and on…

How was this only one day?

Post-a-day 2018

Dirty Dancing Magic

Have you ever seen the film “Crazy, Stupid, Love”, with Ryan Gosling and Steve Carell (among other familiar faces)?  (If you haven’t, you can watch it on Netflix!)  ***If you don’t want anything ruined from the movie, do not read this next part.***  Remember the scene where Emma Stone’s character asks Ryan Gosling’s what his line is for getting girls to sleep with him?  So, he finally comes out with the fact that he does the “Dirty Dancing” lift.  She doesn’t believe him, but they do the lift anyway, and, of course, she totally falls for him at the end of the lift.

So, why is this relevant?

You see, I do acro-yoga – at least, I have re-started doing acro-yoga again, after a three-ish-year break.  The other night, at a sort of practice/hangout session (called a “jam”), one of the guys offered to test out a certain standing lift with me.  It was not the most basic option, so we agreed to do the simpler option first.  And what was that option?  The “Dirty Dancing” lift.

It definitely takes effort from both parties to make it work properly, so the “Crazy, Stupid, Love” version makes it look too simple.  “Dirty Dancing” is definitely closer to the kind of effort it actually would take a newbie flyer/follow to pull off the lift.  I’ve done lifts in dance routines before, and even a throw/toss, so I’m practiced in the concept of lifts, but I’ve never done that particular lift in a routine.  Anyway, so it took a few almosts, and then we had the lift down perfectly.

And it felt like flying… or something.  I’ve never actually flown (I think), so I can’t actually compare anything to flying, but it definitely felt magical and like I was more than just physically ‘above’ everything around me – I felt like I was on a higher plane of life.  And, of course, that I was utterly beautiful in this specific position, muscles flexed beautifully, like a fairy zooming overhead.

And this guy helped me to be in this position – it was because of him that I was in such a place of wonder and beauty…. I suddenly totally could get why girls would want to ravish the guy who did that lift with them.  Fortunately, I knew the guy and the general activity well enough to keep him and the actual task separate from one another in my head.  Otherwise, I would have been a total mess full of goo-goo eyes for him for weeks.  But I fully understood what could be so attractive, so sexy, so desirable about doing that lift.  I mean, how often do people normally put me into a place of magical wonder, and make me feel more beautiful than the whole world?  (Perhaps your life is different from mine, but I’ll let you know: It is extremely rare for me.)  😛

That being said, I have two things: 1) Totally try out acro-yoga, because it’s a blast and is totally easy, even if you aren’t super fit or anything.  2) I recommend giving the “Dirty Dancing” lift a try at some point in your life, guy or girl, because it is magical and awesome (as I have already mentioned multiple times).  🙂

Post-a-day 2018

Hot commodity/mess

Have you ever been a hot commodity?

It’s somewhat of a newer experience for me, though, in this particular situation, I’ve been of a similar status for quite a while.

The thing about it is that, it’s wonderful when those I want taking advantage of my presence are there to take advantage, and no one I don’t particularly want taking advantage of my presence gets in the way…

But it never really goes that way, now does it?

When everyone appreciates one’s value, everyone wants to benefit from that value…

And I do give back loads…, but, sometimes, I just want to go out and enjoy myself, and not bother with all of the newer, inexperienced folk expending my energy.

Of course, and then I run the risk of being considered utterly snobby, thinking myself above everyone else.

However, especially recently, I am starting to understand why so many people have given up trying not to seem snobby… it just takes too much effort to care what so many people think when, just every once in a while, they want to have some fun for themselves, not have to have things be a helping-out, volunteer-y time.

Yeah, I get that now… no wonder so many of them seem so stuck-up…

So, while I love having my talent and skills, it’s not always great being a hot commodity, when people’s feelings and opinions are so easily injured.

Those are my thoughts to share for tonight. 🙂

(Good luck with your own hot commodity situations ;))

Post-a-day 2018

Free, at last(?)

Tonight, a very good dancer told me, ‘I love watching you dance… you’re just so… free…’

It was an extreme compliment, coming from a very good dancer, but it also had me wonder why she selected the words she did, specifically “free”.

I’ve never had anyone come up with a reasonable descriptor for describing my dancing, but, the more I think about it, the more her words seem to make sense to me.

I don’t necessarily feel free when I am dancing…

However, I do dance with abandon and I let all rules and judgements just fall away from me, because they have no place in dancing for me (at least, not anymore, though they did for a little while, back in the day).

I don’t even give most concerns a thought, let alone my attention.

So, while I don’t necessarily experience being “free” while dancing, I suppose it can be seen as being similar to the concept of there being a “free from”, a “free of”, and a “free to” in life… different types of freedom to experience.

And my dancing freedom is not so much a ‘free to do as I please’ freedom, as it is a ‘free from constraints’ freedom.

Anyway… thoughts tonight…

Post-a-day 2018